Resolutions 2014

Happy New Year to everyone, I hope 2014 is a good one for you all. We had a wonderful Christmas and New Year with our son and shared his first festivities with family.

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Another year and another set of resolutions. I've been making them since 2010 when I resolved to get back into a form of art, something that I had left behind in the late nineties. That was when photography raised it's head again. Since then I have made resolutions that tie into photography to direct what I'm doing, except for last year when becoming a Father seemed like a big enough challenge to set myself. 2014 is here now and I've been thinking lots about what I want to achieve in photography.

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Looking at 2013, my first resolution has to be to shoot more - it might seem like a simple resolution but, outside of my DSLR, I really didn't shoot much at all. I made a large format pinhole camera but never really experimented with it, I was out in the field with the Bronica medium format camera but the majority of those rolls still lie undeveloped, and I made cameras to create solargraphs which I have just had the results back from. I need to get these cameras out and working, and make sure the film is developed.

What I never shot a lot of last year was 35mm. I was put off after using my Nikon F60 last Christmas and then again during our trip to London. This demand has now passed since I have a DSLR so I'm going to take my favourite 35mm camera - the Pentax SP500 - and my favourite film stock - Ilford Delta 100 - and start carrying it around in my bag as well as capturing my family.

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Next up, I want to print more. Nearly two years ago I searched Gumtree looking for an enlarger that I could use to print at home. Eventually I found what I was looking for and after a 150 mile roadtrip to north of Aberdeen, I had what I wanted and lots, lots more. For the small sum of £40 I had a 75% of a darkroom and a plethora of photography books. Scouting eBay got me the rest of what I needed and I was ready to go. What I soon found was that setting up a temporary darkroom is quite a task and it took me a few attempts to get it down to a reasonable time. The truth is, it was a hassle to do and maybe one day I will be able set it all up permanently in my house.

At Christmas I decided to make a print for my wife and used my local darkroom, Stills, instead. This proved to be a quicker and far more productive time in the darkroom and I would like to do more of it.

So those are my resolutions for 2014 - shoot and print. As I said, they may seem like simple resolutions but I really want to get back into the flow of creating images and that doesn't need to be complicated

Let me know your resolutions.

 

 

Abandoned Televisions

Abandoned TVs started as a bit of fun on Instagram but has become an obsession for my walk to and from work. Rarely a week passes where I don't spot a TV at the roadside or beside a bin so I thought I'd share some of my favourites and talk a little about where I see the project going.

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The first photo I ever posted of an abandoned TV is above but it actually started before that when I spotted a TV sitting on a table with a lamp beside it at the roadside. I became interested in the idea of urban still lifes like this - objects gathered together (usually on bin collection day) at the side of the road outside of their usual surroundings - but what I actually started to notice were more and more TVs of different ages and styles.

As I said, it was a bit of fun - I started off spotting two or three a week and posting my favourites on Instagram but I have never stopped seeing them and it is fast approaching a year since I started. I don't post them all as some of them are just not interesting but I've included some of my favourites of what I do post below.

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As the project has grown I've made plans to move it into my film work - specifically my Holga as it matches how much I enjoy shooting with the Hipstamatic app on the iPhone. I've taken a few on my 35mm camera  as well which I enjoyed as it allowed me to play with depth of field but there aren't many at this stage.

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There is part of me that really likes having this on Instagram though so it will remain there for the time being, but to have this join my film work would probably please me more and I hope to have that happen in the future. Until then, if you're not following me on there already and would like to see more of this random project of mine then please feel free to add me (my username is "iainkendall") and let me know what you think.

The Forth Railway Bridge

On Saturday night I set to take a few long exposures of the Forth Railway Bridge. I had tried a few weeks before during the day but it was ruled out with heavy fog so, keen to try again, I headed out with the Bronica at around midnight and spent a couple of hours shooting.

Forth Rail Bridge Shoot

Forth Rail Bridge Shoot

Night shooting is quite relaxing - no one is around so there is a silence in places that you wouldn't normally have it. South Queensferry is a great example of this - it's on the outskirts of Edinburgh and during the day it is a tourist hotspot to see the bridges, but at midnight it was silent apart from the water lapping on the shore and the odd train passing overhead.

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In this particular scene the buildings to the left were causing terrible light  pollution and the boat was moving with the water. If you look next to the boat you will see white lines where a couple of swans were moving about.

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I moved closer to the bridge, away from the buildings to see how that worked, and that has come out better. There was a slight cloud cover which has given the lighting a nice effect projecting upwards.

I jumped back in the car and went to Dalmeny railway station, the last railway station before the bridge and composed a beautiful shot of the station lit up and the track entering the bridge in the distance. Just as I was about to push the shutter all the lights went out at the station so I abandoned it and drove over the road bridge to North Queensferry. Here you can get really close to the bridge which I thought would help.

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When I arrived in North Queensferry I was amazed at the moon - unlike a lot of night shooters on Twitter and Flickr, I was actually unaware of the "Super Moon" that night and it was nice added bonus. To capture it and the bridge I needed to get underneath it so I moved the car and mounted the tripod to the roof. Unable to see the viewfinder, I pointed in the general direction and took the shot. Sadly the light pollution was too great here for this photo to work but the added moon was welcome.

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Back where I initially wanted to be, the moon was a little out of shot for the railway bridge with square format so I decided to take in the road bridge instead.

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Back onto the main subject and I much preferred this view, I was up close and personal. During this exposure a small tug appeared from under the bridge and exited stage right - in the silence it was the last thing I expected.

Working with pinhole photography earlier this year sealed my love for long exposures - I enjoy the set up, the calculation and then the waiting. I enjoyed the peace and quiet too - if a little creepy at times - so I will do a lot more of it when I can.

The Royal Mile Through a Pinhole

To be a tourist in your hometown is quite a hard thing to do; you ignore things everyday that someone who was visiting would stop and notice. In the last couple of years that we've travelled ourselves, it's something I have become more and more aware of.

Edinburgh's historic Royal Mile, the hub for all tourists, runs from Holyrood Palace up a steady hill to the top of Castle Rock where Edinburgh Castle sits. It is the focus of Edinburgh's Fringe Festival in August but, unlike any other location in the City, it has a buzz of festival about it throughout the year with street performers, stalls, and "heritage" shops to entice the tourist to part with their money.

I headed out with my Holga 120 Wide Pinhole Camera and my Pentax SP500 35mm to try and capture it as I journeyed from Holyrood Palace/The Scottish Parliament building, up the mile to Castle Rock.

The Scottish Parliament Building

The Scottish Parliament Building

Canongate Kirk

Canongate Kirk

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Portraitist

Portraitist

Whisky Merchants

Whisky Merchants

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The Artist

The Artist

William Wallace

William Wallace

The Castle Cannons

The Castle Cannons

Edinburgh Castle

Edinburgh Castle

All photos were taken on Ilford Delta 100 and developed in Ilford Perceptol 1:3 at 20°C for 22 minutes.