In September I bought myself a Polaroid Land Camera Automatic 100. It was a purchase that surprised myself but I was persuaded, not only by a number of photographers who I had followed on Flickr and Tumblr who were shooting with these pack film cameras, but also the people at The Film Photography Project and their podcast which I had been listening to on my walks to and from work.
The surprise to myself was because I hadn't always sympathised with the host of the FPP guys and their love of these "pack-tastic" cameras - only a few episodes into first listening to it I stopped because of the constant Polaroid conversation. It wasn't until I had considered just how rare a podcast devoted to film photography for fun was that I pushed through and started listening again.
When September came around I was officially a Polaroid convert, I had heard the stories of how much people enjoyed the sound of the film snapping out the back of the camera and the buzz from seeing a final printed image minutes after clicking the shutter. I researched the different types of pack film cameras but soon decided on the original Polaroid Land Camera Automatic 100 and gave my money to the people who introduced me to it in the first place at the Film Photography Project Store.
It was a thing of beauty and I had ordered three packs of film - all Fujifilm FP-100C colour pack film - in a mix of gloss and silk. It only seemed right to load it up and take it with me on one of the walks to work.
It took a bit of getting used to, but the first thing I learned with this film pack was that it is all in the technique; pull the film image out slowly, smoothly, but confidently. I also learnt that they don't like rain much which caused a few issues. I put a few in my pocket after taking them to peel them later, but this was a mistake; I ended up with an iPhone caked in film chemicals. The chemicals also gathered at the end of one of the image causing the crusting you see - it wasn't ideal but I quite liked it. I soon loaded it up again.
I now knew how to get a good exposure but there was something missing - these pictures lacked any personality so I needed a better subject. The next day I had decided to put my Pentax SP500 with some Ilford Pan F film to work on some long exposures - a moving tide at the low light of sunrise would be perfect for the job. Unable to put the Polaroid down, I loaded it up with some Silk finish FP-100C and mounted it to the tripod.
This was more like it. I would add though that another thing these pack films don't like is sand as you can see above; laying the image down in my camera bag was a big mistake.
Next I'm hoping to order some older Polaroid film to experiment with but, just like the cameras, these are harder to come by than the Fujifilm in the UK.